February 26, 2017

UGG, Really?

Let's talk about shoes.


ALDO Zusien






























Remember when I fell for ALDO's Digosien boots? I still Google them every once in a while hoping ALDO will bring them back in stock. Yeah, that's how sad I am. However, that's besides the point. I didn't think ALDO would impress me with another pair of shoes so soon after Digosien, but they did. Introducing, Zusien. I first discovered the appeal of strappy, pointed toe, low block heels from Marzia Bisognin, one of my style icons. I waffled for days over whether I wanted to try these shoes on (and potentially fall down the rabbit hole of lust), but finally, I went into an ALDO store and took them off the shelf.

Oh dear, did I fall down that rabbit hole. I squealed in excitement as my boyfriend looked on with a confused, yet slightly amused, smile on his face. I think even the salesperson took a hesitant step back. These shoes were so classy. The black is sharp against the foot, emphasizing the d'orsay sides. The toe is perfectly pointed, and the block heel is cute and stout. My mind flashed through so many outfits I could wear with these shoes. Alas, at $60, they were too expensive. I didn't want to spend that much money on a pair of suede shoes that I didn't necessarily need.

Shortly after, these shoes went out of stock. I stalked around ASOS for fun, and saw they had a similar pair, but the toe box and heel just weren't shaped as nicely, making the shoes off-kilter in comparison. In an unexpected turn of events though, I checked ALDO again last week, and it looks like Zusien has been revived for another season with more materials and colours. I hope these shoes aren't here to tempt me again, but frankly, I would trade these in to have Digosien brought back from the dead.


Tod's Chukka Boots












































A while ago, I was given a pair of brand new soft blue (different colour than above) Tod's chukka boots as a hand-me-down (they were never worn by my predecessor, hence why they are still in brand new condition). Over the years, my wardrobe has acquired some designer shoes thanks to the generosity of my friend, but no matter how big the brand name, I have never been as impressed by a pair of shoes as I was with these Tod's. These boots are of absolute incredible quality. The craftsmanship blew me away.

First of all, the suede. The suede is of the softest, most buttery kind. My fingers slid smoothly over the completely blemish-free upper. Shoelaces were the next thing I noticed. The are made of a thicker, stiffer rope, resulting in a satisfyingly secure tie. Overall, the shoe is a feminine and sleek take on the traditional chukka boot. The elongated toe box narrows into a beautifully gentle curve, and the leather sole is done in a clean birch colour - my favourite shade for shoes like these. While short and demure, the heel is still noticeable, adding just enough negative space underneath the arch to lend the boots a sophisticated polish.

I've always known Tod's to have well-made driving shoes, but I am utterly astounded by this particular pair of chukka boots. When my dad saw them, he told me he too was once floored by the beauty of Tod's, yet could not bring himself to pay the price for a pair. I agree with him when he says these are the type of shoes you don't even want to walk out of the house in due to fear you will ruin them. I love how these shoes help my style venture into more masculine territory, so one day, I shall have to muster up the courage to wear these out. In the meantime though, just let me admire them while they're still in pristine condition.


UGG Janney Boots



UGG, really? Yes, really. I've given UGGs a hard time on my blog, though to be fair I'm only opposed to those loaves of bread they call boots. This winter, we were hit with bone-chilling cold weather. In the five minutes it took for me to walk from the train station to work, my toes practically froze over. I knew it was time I took action and wore some better boots. Luckily, I ended up finding some insulated, albeit hideous, winter boots in my closet. Although I cared about warmth, not style, at that point, I've still been low-key on the lookout for stylish winter boots (is there such a thing?).

Today, browsing though Nordstrom's sale rack, I came across these UGG boots. I picked them up immediately to try on. I don't normally go for wedges, but I'm fine with them if they are sleek enough. What appealed to me about these boots were the military-style lace-up and buckle (which reminded me of Burberry Fall/Winter 2010/2011 RTW - a great collection), and the smooth waterproof leather. The boots were nice and lean compared to my chunky winter boots, and I liked how they were slightly bad ass, but in an elegant way. I would have bought them if it weren't for the $160 price tag. I'm not sure whether these boots are practical enough for our cold, messy and slippery Canadian winters, so I need to ponder some more before I lay my money down.

Image Source: Aldo, Lyst, Zappos

February 4, 2017

We Gucci

It's about time we talk about Gucci.

At the beginning of 2015, Alessandro Michele was named Gucci's new Creative Director after Frida Giannini announced her departure from the role. Giannini had memorable collections throughout her 12 year tenure, including a powerful 2011 season that swept the industry with its colour blocked glamour. However, as an old classmate of mine once put it, the brand became irrelevant thereafter. In the years ensuing, nothing Gucci put out could quite rouse the hearts of the industry like it once had. It became bland and repetitive. Looking back at my own blog, I stopped writing about Gucci after 2011. The brand likely dropped off my radar completely, which is why I don't have much recollection of Gucci's later works.

But when Michele arrived, he wasted no time hitting us with his new vision. His vision is inventive, unapologetic, and most importantly, exciting. 2016 was a good season for Gucci - that's when Michele really found his stride.

Gucci Resort 2016
I first took note of Gucci again with its Resort 2016 collection. I came across the collection's short film, which tells the story of guy-meets-girl (in a long chevron midi-dress). There was something so enchanting about how the richly textured seventies designs popped in their bold, saturated colouring. Compared to how things were before, this was an acid trip. Michele firmly reminded us that fashion, and particularly Gucci, can be fun.

Gucci Spring/Summer 2016 RTW
Spring 2016 and Fall 2016 were also joy rides. Wild motifs decorated sheer dresses and shimmering fabrics. Sporty, retro, glamorous...Gucci is the eclectic flower child of the 21st century. Fashion influencers had Gucci's fur-lined loafers on their wishlists. Magazines scrambled to showcase the gossamer floral motif dresses. Its green embroidered duchesse bomber jacket was the epitome of all bomber jackets. In short, Gucci became relevant again.

Gucci Fall/Winter 2016 RTW
With that, though, I must say I am less enthralled by Spring 2017. The runway was awash in a smokey red glow, similar to that of an opium den. The drugged-up, hedonistic aura was intensified by blank-eyed models walking past in awkward stumbles and confused dazes. It appeared this was where forbidden desires became fulfilled. The show was a rose bearing its thorns.

Gucci Spring/Summer 2017 RTW
While the premise is delightful, the surrealism became excessive in a way that seemed garish. Ruffles were blown out of proportion too deliberately, the styling was unsettling for the sake of being weird, and thematic elements seemed recycled from previous seasons. I hope Michele does not get caught up in what the industry wants Gucci to be. I hope he stays in touch with his inner sentiments so that his collections always come from a place of authenticity. But so far, Gucci has been revived, and I look forward to what more it has to bring.

Image Source: Vogue