March 30, 2017

Ghost in the Shell: Costume Review

*This review may contain spoilers*

Yesterday, I had the opportunity to attend a pre-screening of Ghost in the Shell (2017). Ever since watching Cloud Atlas (2012), I had been wanting to see another good sci-fi fantasy film - and the trailer for Ghost in the Shell looked promising. However, these types of movies are not often done well (ie. Jupiter Ascending (2015)), so I did go in with some reservations.


Please note: I am aware Ghost in the Shell is based off a manga and anime of the same name, but since I have not read nor seen either, I am writing about this film as a standalone piece of media.

After watching the pre-screening, one thing that stood out to me in particular was the costume design.

I had been joking with my boyfriend, who attended the screening with me, that Ghost in the Shell would essentially be Scarlett Johansson jumping around in a nude, skin-tight bodysuit for two hours. If you think about female characters such as Black Widow in The Avengers (2012), Catwoman in The Dark Knight Rises (2012), or even Ava in Ex Machina (2014), they are all portrayed as attractive and curvaceous, even while mowing down enemies with a gun.


But I was pleasantly surprised to find that Johansson's character in this movie, Major, is not outfitted in such a way. She wears fitted, but not tight, bodysuits in conservative dark shades, and often favours chunky combat boots. Her most embellishing piece is a long, double-slit trenchcoat, which she quickly ditches soon as she needs to dive off a building.


Even her nude armour is built for fighting and not flaunting. It goes from her neck all the way down to her toes, leaving minimal exposed "skin". Her body resembles the female form, but it is not overtly sexualized. Her form is not smooth and perky - it is rough and sturdy. Her short hair is surprisingly limp and stringy, making her very different from a bodacious babe. Even her gait complements her appearance. Her steps are heavy and robotic, and she often sports a combative hunch. Major's costumes focus on what she really is: a cyborg built as a weapon. Nothing is frivolous. Everything is functional.

And I like it.


My boyfriend, who is well-versed in the worlds of anime and gaming (I know, we could not be more different), wishes the costumes were more epic and dramatic, which I can understand. Fantasy films have the opportunity to explore flourishing costume design, and I agree Ghost in the Shell could have been executed with more visual impact. But I don't hate that they stuck with a basic look. It's rare to see female characters portrayed with such honesty, so I'll take the chance to express my appreciation for what this film has done in terms of costume design.

There are obviously many other aspects of this film I have not yet touched on. Luckily, Ghost in the Shell officially opens March 31, so I would love to hear what you think.

Image Source: IMDB

March 18, 2017

Bienvenue à La Maison

This week, Québec-based retailer Simons (La Maison Simons) opened its doors to my city. My friend and I met up to check out the grand opening, which soon turned into one of my favourite activities: trying on dresses. But before I get into some of the dresses I tried on (not all were photo-worthy), let's talk about Simons.

My early exposure to Simons was through my friends. I have a friend (in a different city) who likes shopping there, and another who bought a dress there while in Québec. My first encounter came when I passed by the store during my grad trip in Montréal. Walking through the store, however, I was underwhelmed. The clothing appeared quite basic, reminding me of a watered down version of Hudson's Bay. Nonetheless, I was still looking forward to seeing what Simons would have to offer in my own city.


After exploring the four-story department store this week, I do have a better impression of Simons than before. But to say it is a good impression would be wrong. It caters to what I consider the suburban professional mom. Khaki capris, flowy floral tops, and blazers in various solid colours. The majority of clothing in the store is of poor quality, with a selection of better quality mid-priced items, and one section of incredibly unique, quirky high-end pieces (Leotard with floor-length cape? Yes, please). Despairingly, the shoe and handbag departments were tiny and mediocre. On the bright side though, I was impressed with the offerings in the home section, the decently-priced café, and the two floors dedicated to a wide range of men's clothing. Simons will offer some unique selection for our local market, but overall, I'm left with little reason to shop there.

Though as you know, that doesn't stop me from trying on their clothing.


Twik Floral Choker Dress


What's a huge trend right now? Chokers. And honestly, I'm digging it. So I tried on this dress with the popular choker + v-neck combo. The body of the dress was shapeless, but I appreciated the neckline and the floral print. Definitely going to try copying the trend with one of my own low-cut tops and a ribbon around my neck.


TFNC London Golden Belt Dress


There really isn't anything groundbreaking or special about this dress - I'm just a fan of Grecian styles. This ended up being the only dress that fit me properly, so in that sense it looked flattering. The only thing I would change is how the gold band in the front turns into a black bow belt in the back. I would much prefer a gold waist all around.


Twik Pretty Ruffles Dress


So I didn't realize the straps on this dress were adjustable, hence why it hung so low on my body. My friend tried this dress on with the straps adjusted, and the off-shoulder ruffles did look a lot better. I liked the colour and feminine neckline of this dress, but the cheaply-made body ruined the silhouette. (Interesting to note: the model on the Simons website wears this dress as a regular spaghetti strap, and not an off-shoulder.)


ICÔNE Flower Embroidery Sheer Maxi Dress


And finally, on to my favourite (and more expensive) dress of the day. Not only did I love the sheer white chantilly lace, I adored how there were shorts underneath the skirt. Practical and flirty. The ruffled sleeves were also an ethereal, elegant touch. As for up top, I would certainly need another layer, unless I were to commit to the true fashion life of using double-sided tape to keep deep, risqué v-necks in place. But as my friend suggested, a bandeau would suffice.

Image Source: Daily Hive

February 26, 2017

UGG, Really?

Let's talk about shoes.


ALDO Zusien






























Remember when I fell for ALDO's Digosien boots? I still Google them every once in a while hoping ALDO will bring them back in stock. Yeah, that's how sad I am. However, that's besides the point. I didn't think ALDO would impress me with another pair of shoes so soon after Digosien, but they did. Introducing, Zusien. I first discovered the appeal of strappy, pointed toe, low block heels from Marzia Bisognin, one of my style icons. I waffled for days over whether I wanted to try these shoes on (and potentially fall down the rabbit hole of lust), but finally, I went into an ALDO store and took them off the shelf.

Oh dear, did I fall down that rabbit hole. I squealed in excitement as my boyfriend looked on with a confused, yet slightly amused, smile on his face. I think even the salesperson took a hesitant step back. These shoes were so classy. The black is sharp against the foot, emphasizing the d'orsay sides. The toe is perfectly pointed, and the block heel is cute and stout. My mind flashed through so many outfits I could wear with these shoes. Alas, at $60, they were too expensive. I didn't want to spend that much money on a pair of suede shoes that I didn't necessarily need.

Shortly after, these shoes went out of stock. I stalked around ASOS for fun, and saw they had a similar pair, but the toe box and heel just weren't shaped as nicely, making the shoes off-kilter in comparison. In an unexpected turn of events though, I checked ALDO again last week, and it looks like Zusien has been revived for another season with more materials and colours. I hope these shoes aren't here to tempt me again, but frankly, I would trade these in to have Digosien brought back from the dead.


Tod's Chukka Boots












































A while ago, I was given a pair of brand new soft blue (different colour than above) Tod's chukka boots as a hand-me-down (they were never worn by my predecessor, hence why they are still in brand new condition). Over the years, my wardrobe has acquired some designer shoes thanks to the generosity of my friend, but no matter how big the brand name, I have never been as impressed by a pair of shoes as I was with these Tod's. These boots are of absolute incredible quality. The craftsmanship blew me away.

First of all, the suede. The suede is of the softest, most buttery kind. My fingers slid smoothly over the completely blemish-free upper. Shoelaces were the next thing I noticed. The are made of a thicker, stiffer rope, resulting in a satisfyingly secure tie. Overall, the shoe is a feminine and sleek take on the traditional chukka boot. The elongated toe box narrows into a beautifully gentle curve, and the leather sole is done in a clean birch colour - my favourite shade for shoes like these. While short and demure, the heel is still noticeable, adding just enough negative space underneath the arch to lend the boots a sophisticated polish.

I've always known Tod's to have well-made driving shoes, but I am utterly astounded by this particular pair of chukka boots. When my dad saw them, he told me he too was once floored by the beauty of Tod's, yet could not bring himself to pay the price for a pair. I agree with him when he says these are the type of shoes you don't even want to walk out of the house in due to fear you will ruin them. I love how these shoes help my style venture into more masculine territory, so one day, I shall have to muster up the courage to wear these out. In the meantime though, just let me admire them while they're still in pristine condition.


UGG Janney Boots



UGG, really? Yes, really. I've given UGGs a hard time on my blog, though to be fair I'm only opposed to those loaves of bread they call boots. This winter, we were hit with bone-chilling cold weather. In the five minutes it took for me to walk from the train station to work, my toes practically froze over. I knew it was time I took action and wore some better boots. Luckily, I ended up finding some insulated, albeit hideous, winter boots in my closet. Although I cared about warmth, not style, at that point, I've still been low-key on the lookout for stylish winter boots (is there such a thing?).

Today, browsing though Nordstrom's sale rack, I came across these UGG boots. I picked them up immediately to try on. I don't normally go for wedges, but I'm fine with them if they are sleek enough. What appealed to me about these boots were the military-style lace-up and buckle (which reminded me of Burberry Fall/Winter 2010/2011 RTW - a great collection), and the smooth waterproof leather. The boots were nice and lean compared to my chunky winter boots, and I liked how they were slightly bad ass, but in an elegant way. I would have bought them if it weren't for the $160 price tag. I'm not sure whether these boots are practical enough for our cold, messy and slippery Canadian winters, so I need to ponder some more before I lay my money down.

Image Source: Aldo, Lyst, Zappos

February 4, 2017

We Gucci

It's about time we talk about Gucci.

At the beginning of 2015, Alessandro Michele was named Gucci's new Creative Director after Frida Giannini announced her departure from the role. Giannini had memorable collections throughout her 12 year tenure, including a powerful 2011 season that swept the industry with its colour blocked glamour. However, as an old classmate of mine once put it, the brand became irrelevant thereafter. In the years ensuing, nothing Gucci put out could quite rouse the hearts of the industry like it once had. It became bland and repetitive. Looking back at my own blog, I stopped writing about Gucci after 2011. The brand likely dropped off my radar completely, which is why I don't have much recollection of Gucci's later works.

But when Michele arrived, he wasted no time hitting us with his new vision. His vision is inventive, unapologetic, and most importantly, exciting. 2016 was a good season for Gucci - that's when Michele really found his stride.

Gucci Resort 2016
I first took note of Gucci again with its Resort 2016 collection. I came across the collection's short film, which tells the story of guy-meets-girl (in a long chevron midi-dress). There was something so enchanting about how the richly textured seventies designs popped in their bold, saturated colouring. Compared to how things were before, this was an acid trip. Michele firmly reminded us that fashion, and particularly Gucci, can be fun.

Gucci Spring/Summer 2016 RTW
Spring 2016 and Fall 2016 were also joy rides. Wild motifs decorated sheer dresses and shimmering fabrics. Sporty, retro, glamorous...Gucci is the eclectic flower child of the 21st century. Fashion influencers had Gucci's fur-lined loafers on their wishlists. Magazines scrambled to showcase the gossamer floral motif dresses. Its green embroidered duchesse bomber jacket was the epitome of all bomber jackets. In short, Gucci became relevant again.

Gucci Fall/Winter 2016 RTW
With that, though, I must say I am less enthralled by Spring 2017. The runway was awash in a smokey red glow, similar to that of an opium den. The drugged-up, hedonistic aura was intensified by blank-eyed models walking past in awkward stumbles and confused dazes. It appeared this was where forbidden desires became fulfilled. The show was a rose bearing its thorns.

Gucci Spring/Summer 2017 RTW
While the premise is delightful, the surrealism became excessive in a way that seemed garish. Ruffles were blown out of proportion too deliberately, the styling was unsettling for the sake of being weird, and thematic elements seemed recycled from previous seasons. I hope Michele does not get caught up in what the industry wants Gucci to be. I hope he stays in touch with his inner sentiments so that his collections always come from a place of authenticity. But so far, Gucci has been revived, and I look forward to what more it has to bring.

Image Source: Vogue

January 1, 2017

2016: A Look Back

In the past, I used to recap the biggest fashion news stories of the year in a series I called A Look Back. Unfortunately, this practice only lasted for two years. This year, to close off 2016, I want to bring back the series - not because it has been a significant year in fashion, but because it has been a significant year in my personal life.






























My year started off with heartbreak. But in the process of learning how much the heart can ache, I discovered the love of my closest friends. I experienced spiritual growth and embraced independence. Yet, just when I felt stronger, I got held down again by the difficulty of finding a job in the depressed economy. Having a career has been my driving force for the past 10 years, and I felt distressingly lost in those months I kept struggling to stand out in the job market. I took reprieve from it all when I went on a family trip to celebrate my official graduation from university. Upon my return, things turned around immediately. I was offered a position that suited the education and experience I had. My family and I moved to a new condo downtown. I began volunteering for local fashion and entertainment opportunities. I spent more time with my friends. I reconnected with someone very special to me, and started a relationship with him. I met new people and tried new things. I'm close to paying off all my student loans. I'm learning new things by taking online courses. I feel more confident and satisfied with my personal style than I ever have before. I'm spending my spare time working on an upcoming fashion project.

Life isn't perfect, but it's not meant to be. It's meant to challenge you and break you down so that you can build yourself back up to see the beauty of it all.

Although my year had its ups and downs, I reached many milestones and realized everything has a purpose towards the better. Many people consider 2016 to be a pretty bad year. It was punctuated by violence, division and loss. However, with every shade of darkness comes a glimmer of light. Even in the bleakest depths of the shadows, there is hope - you just have to find it and follow it. Don't forget the happiness of the year. Don't forget the kindness, the successes, and the love. 2017 is a chance for us to pull ourselves, and each other, back up and towards that glimmer of light.

Happy New Year, everyone.