Showing posts with label DolceGabbana. Show all posts
Showing posts with label DolceGabbana. Show all posts

October 28, 2017

For My Eyes Only

Remember when I turned into an outright diva? Yeah, I thought I would put my diva days behind me for at least the next little while, but then I decided to get new glasses and prescription sunglasses. So back out I went - barely settled from my first foray - to become a spoiled brat yet again.

I was due for an upgrade anyway. I bought my current pair of Tiffany & Co. glasses six years ago, and my Coach sunglasses even longer before that. At that point in life, I was still trying to figure out exactly what my personal style was.


So I have been looking for new glasses for a very long time. My Tiffany & Co. frames are not atrocious, but they are quite ubiquitous. I've seen more women on the streets than I would like with the same or similar pair of Tiffany's. And while the robin egg blue on the inside of the frames was a fun touch, I wanted something more professional and refined now that I'm a working adult. As mentioned once before, I fell in love with browline glasses years ago. In particular, I developed a bottomless obsession with havana/gold Ray-Ban clubmasters. Yet every attempt I made to own a pair was met with failure. With such high prescription, I was told my lenses would end up being noticeably thick. The distance between the nose pads also didn't fit my flat nose. And, last but not least, they just fundamentally didn't complement my face shape as well as I had hoped.

So I tried other browlines. I dabbled with cat eyes. I thought of surrendering and succumbing to typical plastic frames. I even emailed Tom Ford at one point asking if they could please design a browline for women - with gold metal instead of silver, and a gold bridge instead of black...sorry for being picky... (I never did get an email back, but I saw Tom Ford came out with a pair of black/gold browline glasses for women this season). I initially wanted havana frames because I thought they looked softer against my dark hair, though over time I started to realize I should probably stick to black. Havana seemed to wash me out.



On the streets, I became jealous of women who could pull off browline frames. And of those with black and gold frames in those glamorous, quirky styles which are particularly trendy right now.

So it was quite an unbelievable feat when I finally managed to find my own pair.

It came to me swiftly and unexpectedly. A pair of Dolce & Gabbana browline frames. I was just messing around with different glasses while waiting for my mom to choose her own pair of new frames (she, ironically, settled on Tiffany & Co.), when I tried on these:

When I saw myself in the mirror, it was like being struck with an awakening and finally seeing the light of day. Because these frames just felt so right. There is a special soothing feeling I get when I try something on and I just know it's the right one. These frames made the stars align on my face, and to boot, it was a black and gold browline. It wasn't necessarily unique, but it was polished and refined. Here's how it looks on me:



What I find especially fateful is that I used to own a pair of Dolce & Gabbana frames before I switched to Tiffany. And guess what? I also ended up choosing a pair of Dolce & Gabbana frames for my prescription sunglasses. I guess Dolce & Gabbana and I have an inexplicable sartorial bond, and it was simply calling me back to my roots.

My search for a pair of prescription sunglasses was much more...last minute. I hadn't paid any thought to what I would want in new prescription sunglasses, so I was really going in blind (pun not intended). In an act of desperation, I went to the mall and tried on as many pairs of sunglasses as I could. What naturally caught my eye (oh man, I'm punning it up today) was of course gold detailing. I also knew I wouldn't want another pair of sunglasses from Ray Ban, so I started narrowing down my options. I came across a couple frames with gold trim along the brows, which were interesting, but for some reason didn't feel right. And now I'm grateful I trusted my instincts because I have ended up seeing more than enough people with those exact sunglasses on the train.

I ultimately ended up debating between these Tom Ford Penelope sunglasses, and the Dolce & Gabbana 4268 frames pictured above. However, as much as I liked the cylindrical gold arm on the Tom Ford sunnies, I knew the frame was simply too large and thin for it to look good with prescription lenses. So I went with Dolce & Gabbana. I asked for the darkest lens possible with no gradient colouring. I've learnt from past mistakes and didn't want any risk of my lens coming out more transparent than they needed to. Here's how it looks:

I didn't fully Jekyll and Hyde into a diva this time, but I did disregard a lot of opinions from others on what frames I should get. I was met with a hesitant pause from my parents when I showed them the frames I wanted. They worried the frames would be too big, too thin, too round, etc. And the sales assistant at the eyewear store warned my lenses would be thick, and the lack of nose pads on my sunglasses would affect proper fit. Yes, my lenses are visibly thick and I do have to get used to wearing sunglasses that sit lower on my nose, but I've come to realize the only choice that will make me happy is the one I want. As a wise saleslady at Nordstrom once told me, "Don't listen to what other people tell you. Don't even listen to what I tell you. Get what you want - because you're the one who's going to be wearing it". And she's right. These glasses are, after all, for my eyes only.

Image Source: Pinterest, Visio Factory, Jenn Im, Shenny Violet Kaplan 

October 6, 2012

Spring/Summer 2013 RTW

I have a confession to make: I don't have enough time to do a single comprehensive review of a Spring/Summer 2013 RTW collection.  Ok, so that's not really much of a surprising confession, considering how consistent my blog has become lately, but I thought I should let you know.  Ironically enough, I have managed to keep fairly updated with the collections this season, seeing as it's all part of my job as VP Communications at the Fashion & Lifestyle Society (a club at my school) to be in the loop.  So although I won't be doing full reviews, I refuse to let all the opinions I have about the Spring collections go unvoiced.  I never imagined my reviews would get to be so abbreviated, but on the plus side, they might become a bit of an easier (and potentially more interesting) read for you:

Alexander Wang
Verdict: After Fall/Winter 2011, when I finally understood his coolness, I've continued to love what Wang comes up with.  Wang does not produce clothing that you would immediately label as beautiful, and that's exactly what keeps him going.  His clothes require time to soak in, but once they do, there's only one word for what he does: cool.  Threads holding shredded garments together produces a wonderful excerise on deconstruction, and those shoes, oh those shoes.  Full show here.

Burberry Prorsum
Verdict: Hands down one of my favourite collections this season.  The colours were bombastic, with metallics ruched and wrapped, and one standout blue ombre, fantasically cut coccon coat.  Severely cropped jackets gave the collection a youthful edge, as if the colours themselves weren't enough.  I adored the men's metallic cardigans, which literally left me with my mouth hanging.  But I truly loved the mix of textures: lace, embellishment and a peacock trenchcoat for goodness sake.  Bravo to Christopher Bailey for a beautiful collection presented in an equally beautiful fashion.  Full show here.

Dries van Noten
Verdict: Another one of my favourite collections.  I have never seen casual chic done so perfectly.  It's a very literal interpretation of casual chic - plaid tops done in silk and paired with embellished skirts - but that's why it's so amazingly uncanny.  Dressing casual all of a sudden looked so classy.  Van Noten made elastic waistband pajama pants look good, and I think that alone is enough to make this collection a hit.  Full show here.

Prada
Verdict: WHAT just happened.  I'm not even sure I want to know what happened, seeing as it was a mess.  Maybe the Schiaparelli and Prada: Impossible Conversations hype gave me high expectations, but I've always liked what Prada has done these past few years, no matter how strange.  This season, I just don't get it.  If there's anyone who can appreciate the most outré shoes, I'm the one.  Yet I could not bring myself to appreciate Prada's foil wrapped, ridiculously stacked feet.  And the clothes were great in construction, but completely lacking in imagination.  It was a procession of the same, strictly cut piece of fabric glued onto the body, with a couple of quickly tiring repetitive prints.  As for the soundtrack...I'll just let you figure that one out.  Good thing Prada redeemed herself during Miu Miu.  Full show here.

Balenciaga
Verdict: I've always appreciated Balenciaga - it's one of the most technologically innovative brands out there - but it always required several analyses before I could see its ingenuity.  However, this season, I got it straight away.  The stiff yet undulating frills, revealing its coloured underside with each step, and the flippant barbed wire skirts made a wonderful statement on structure and movement.  I finally understand, Nicolas Ghesquière, I finally understand!  Full show here.

Dolce & Gabbana
Verdict: That's it.  Enough.  I have been seeing the same thing for the past 2 years.  It's sexy and pretty, but it's just been a reworking of the same Italian inspiration.  The raffia basket corsets and skirts were definitely highlights, and Domenico Dolce and Stefano Gabbana took the idea of "still looking good in a potato sack" quite literally.  But other than those two unique bits, the pair were still so obviously stuck in Sicily.  Time to get out.  Full show here.

Chanel
Verdict: It's very difficult to say that a Chanel collection is not successful, because Karl Lagerfeld has this ability to make everything seem so right, even though it may not appeal to you personally.  And that's the kind of relationship I've had with Lagerfeld's work.  Throughout the years, there have only been three collections I can say I loved.  While this collection still didn't resonate that deeply with me, it's among the ones I would consider to be more obviously well-done.  The massive pearls, cropped jackets (a trend, anyone?), and the florals at the end felt like a refreshing step for Chanel.  Not to mention the crazy innovative hula hoop bags and vinyl sun hats.  Full show here.

Christian Dior
Verdict: No, I'm still not entirely sold on Raf Simons at Dior, but I am beginning to accept that Dior is in a new era and perhaps this minimalism is what it needs.  I loved what Simons did with the set, but the clothes were yet again lacking for me.  Although the metallics, floals and intricate constructions were mesmerizing, I didn't feel the excitement that I used to indulge in so selfishly.  Some looks were still too bland (and the models...no theatricality whatsoever) and I almost fell out of my seat at seeing black short shorts at Dior.  With Simons, I feel like either the top or bottom half of a look is always missing; it's empty.  Nonetheless, as I said, I'm willing to accept this new vision.  I only mourn the loss of being transported to another land, and most importantly, I mourn the loss of fun.  Full show here.

Alexander McQueen
Verdict: Props to Sarah Burton for exploring a different aspect of McQueen this season.  This season was significantly grittier and more natural.  Burton has always referenced nature, but usually in a fantastical, surreal way.  This season, it was pure nature in all its beauty and flaws.  Her inspiration was quite obviously bees and everything to do with them.  The head pieces that hid each model's face gave a monotony to the show that well reflects the life of a bee, but also looked like something McQueen himself would have done.  This collection isn't one of those instant successes, but it'll get more people keeping an eye on her.  Full show here.

Saint Laurent
Verdict: Ok, so I'm entirely torn on this collection by *ahem* Saint Laurent (will I ever get used to not saying Yves?).  On one hand, I loved it for its no nonense wearability.  These clothes were gorgeous and I would wear each look exactly as it is.  The sleek bow blouses with blazers and slim pants were nicely contrasted with the fluid, billowing capes of the second half, all done up glamorously with sequins and mousselines.  But on the other hand, I know deep down YSL would never be this obvious.  He would never make glamour look so outright glamorous.  As much as I like what Hedi Slimane has done, perhaps he isn't doing it right for the brand.  I can't say I love this, and I can't say I dislike it, so let me just leave it up to you.  Full show here.

Louis Vuitton
Verdict: Spring/Summer 2012 made me realize how much I like the drop waisted Roaring Twenties, and this season, Marc Jacobs makes me realize how much I like the mini skirted Swinging Sixties.  There's something so adorable yet so womanly about the sixties minidress.  This was probably the shortest LV show we've ever seen, with models paired up and decked out in huge, graphic checks, but it was no less impactful.  I felt like I was on a drug high (not that I would actually know what that feels like) and drifting through a loopy, rainbow world.  Bold and in your face, LV makes a great statement this season.  Full show here.

That's all I have for now in terms of the big names.  I might comment further on other collections as I go through them, but as always, I love posting about any collections you have to suggest!

Image Source: Style.com

March 1, 2012

Dolce & Gabbana Fall/Winter 2012 RTW

After my previous scathing review of Blumarine, I give you Dolce & Gabbana's beautiful baroque creations for Fall/Winter 2012 RTW.  Dolce & Gabbana have been giving consistent collections, but nothing yet has surpassed, or even matched, their virginal Spring/Summer 2011 show.  Finally, this season has done it.  Some people seem to be getting tired of Dolce & Gabbana recycling their looks, but I think this season has just enough regality and opulence to break through.  Or maybe it's just because I'm a huge fan of gold brocade.  It all started with look after look of stunning gold brocade, with intricate lace and smooth velvet.  This was definitely a show that benefited from the right accessories; the earrings and crown-like headpieces were just dripping glamour so majestic it made you want to sit straighter.
The brocade subsided for a while as lace and sheer fabric took the spotlight.  You'll also notice this season's silhouette is looser than previous seasons, keeping with the baroque theme.  There was one unattractive look consisting of a silk tee with "D&G" embroidered on it and ruffled bloomers shorts - completely out of place.
In a burst of colour, bright floral print was introduced, taking the place of the gold brocade earlier on.  I can just imagine myself walking through French gardens everytime I see these looks.
The show then entered a more demure point, but it wasn't without gold embellishment.
This prepped the eyes for a visual overload of floral prints and plump cherubs, but if that isn't enough, Dolce & Gabbana ended by overwhelming you in rich gold brocade once more.
Bow down.  The masters have arrived.

Watch the entire show here.

Image Source: Style.com

September 27, 2010

Dolce & Gabbana Spring/Summer 2011 RTW

Fall has just begun, and here we are, getting ready for when the flowers bloom again.  Although we're about half-way through Spring/Summer 2011 collections, it's never too late to start taking a look at them, and so I'll begin with Dolce & Gabbana.  Just yesterday, Domenico Dolce and Stefano Gabbana celebrated the 25th anniversary of their business, and what a show it was!  Their show was a flurry of white lace, baby-doll dresses, classic sheaths, and the odd sprinkling of corsets here and there.  The designer duo started off with virginal white lace (or at least as virginal as sheer lace with lingerie can be).
Staying true to the Dolce & Gabbana woman, there just had to be a bit of leopard print. 
And as a stunning end to it all, out came dresses bejeweled with crystals.  This picture doesn't do justice to the dress; it was breathtaking on the runway with the way the crystals caught the light.
What a great way to celebrate 25 years - by showing everyone what Dolce & Gabbana is all about.

Watch the full show here: http://www.youtube.com/watch?v=mNEoJagANIU

Image Source: Style.com